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This is the transcript of a dialogue or message file, a file which contains the dialogue of a non-player character in a given game or ingame messages related to scripts and items. |
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Dialogue for Bishop's bodyguard, John Bishop's personal bodguards in the Shark Club
# QUICK LOOK
{100}{}{You see one of Bishop's bodyguards.}
# EXAMINE
{150}{}{You see a rugged-looking man dressed in leather armor. Numerous scars and gunshot wounds cover his body.}
{151}{}{You see one of Bishop's bodyguards. He is scanning the area and fingering his weapon.}
# 1. FLOAT DIALOGUE: ENCLAVE DESTROYED IS TRUE (WTG)
{200}{}{Hey! }
{201}{}{! Way to kick the Enclave's ass!}
# 2. FLOAT DIALOGUE: POWER ARMOR (WTG)
{205}{}{How the hell do you go to the bathroom with that thing on?}
# 3. FLOAT DIALOGUE: PLAYER = FEMALE/MALE, MADE MAN, FA=BISHOP [ARMED] (WTG)
{210}{}{Bishop expecting you, }
{211}{}{? Go on up. Just don't be waving that weapon around him.}
# 4. FLOAT DIALOGUE: PLAYER = FEMALE/MALE, MADE MAN, FA=BISHOP [SNEAK] (WTG)
{215}{}{Uh, look… Bishop's expecting you, right, }
{216}{}{? Go on up. Turn off the sneak, though.}
# 5. FLOAT DIALOGUE: PLAYER = FEMALE/MALE, MADE MAN, FA=BISHOP [NORMAL] (WTG)
{221}{}{? Go on up.}
# 6. FLOAT/CLICK DIALOGUE: MADE MAN, FA=NOT BISHOP (WTG)
{225}{}{You just walked into the WRONG place, dipshit.}
{226}{}{Well, look at the brass balls on this son of a bitch... get, boy, before we gun you down.}
{227}{}{This guy's asking for trouble…}
{228}{}{You better leave, }
{229}{}{Well, if it isn't }
{230}{}{I hear the }
{231}{}{Didn't think members of family }
{232}{}{You just walked into the WRONG place, bitch.}
{233}{}{Well, look at the swagger on this bitch...}
{234}{}{Get, girl. Before we gun you down.}
{235}{}{This bitch's asking for trouble…}
{236}{}{I hear the }
# 8. FLOAT DIALOGUE: MALE, PRIZEFIGHTER [ARMED] (WTG)
{245}{}{Yo, champ. No weapons in here, 'kay?}
{246}{}{Yo, champ! Put that weapon away.}
{247}{}{Hey, }
# 9. FLOAT DIALOGUE: MALE, PRIZEFIGHTER AND MALE PORN STAR [SNEAK] (WTG)
{255}{}{What are you sneaking around for?}
{256}{}{Are you trying to avoid your fans?}
{257}{}{Uh, why all the secrecy?}
# 10. FLOAT DIALOGUE: MALE/FEMALE, PRIZEFIGHTER (WTG)
{265}{}{Yo, }
{266}{}{Yo, }
# 11. FLOAT DIALOGUE: MALE/FEMALE, PORN STAR [ARMED] (WTG)
{275}{}{Yo, lover-boy. No weapons in here, 'kay?}
{276}{}{Hey, }
{277}{}{Yo, }
{278}{}{Honey, you can't be carryin' weapons in here. Heh-heh... You're deadly enough as it is.}
{279}{}{Hey, }
# 13. FLOAT DIALOGUE: [PORN STAR, FEMALE] [SNEAK] (WTG)
{285}{}{Honey, with a body like that, you won't be able to sneak anywhere.}
# 14. FLOAT DIALOGUE: [PORN STAR] (WTG)
{290}{}{Love the films, }
{291}{}{Loved you in Great Balls for Hire.}
{292}{}{Loved you in Good Will Humping.}
{293}{}{I'm a big fan of your work in Pokeahotass.}
{294}{}{::whistles::}
# 16. FLOAT DIALOGUE: SLAVER [ARMED] (WTG)
{300}{}{You looking to fill a grave in Golgotha, slaver? Put that thing away.}
{301}{}{Put that weapon away, slaver, or I'll use you for target practice.}
{302}{}{Slaver, you better secure that weapon right NOW.}
# 17. FLOAT DIALOGUE: SLAVER [SNEAK] (WTG)
{305}{}{You looking to fill a grave in Golgotha, slaver? Stop sneaking around.}
{306}{}{Stop sneaking around, slaver, or I'll use you for target practice.}
{307}{}{Maybe you better go back to ninja school, slaver - now stop sneaking around.}
{308}{}{Slaver, you better stop that sneaking around shit right NOW.}
# 18. FLOAT DIALOGUE: MALE/FEMALE, NO REP [ARMED] (WTG)
{315}{}{You looking to fill a grave in Golgotha, tribal? Put that thing away.}
{316}{}{Put that weapon away, tribal, or I'll use you for target practice.}
{317}{}{Tribal, you better secure that weapon right NOW.}
# 19. FLOAT DIALOGUE: MALE/FEMALE, NO REP [SNEAK] (WTG)
{325}{}{You looking to fill a grave in Golgotha, tribal? Stop sneaking around.}
{326}{}{Stop sneaking around, tribal, or I'll use you for target practice.}
{327}{}{Maybe you better go back to ninja school, tribal - now stop sneaking around.}
{328}{}{Tribal, you better stop that sneaking around shit right NOW.}
# 20. FLOAT DIALOGUE: COMPANION: ROBOBRAIN (WTG)
{335}{}{Get that robot outta here. Now.}
{336}{}{Get that robot outta here before we turn it into a trashcan fire.}
{337}{}{That robot's gonna be spare parts if it stays.}
# 21. FLOAT DIALOGUE: COMPANION: MARCUS (WTG)
{345}{}{I *thought* I smelled mutant. You better get his yellow ass outta here. Now.}
{346}{}{You and your mutant friend looking to get shot? Beat it.}
{347}{}{That mutant better get outta here right now, or we'll be mounting his head on a wall.}
# 22. FLOAT DIALOGUE: COMPANION: LENNY (WTG)
{355}{}{I *thought* I smelled something rotting. Get that ghoul outta here.}
{356}{}{Get that stinky ghoul outta here. Now.}
{357}{}{That ghoul ain't outta here in a minute, he's gonna be deader than he already is.}
# 23. FLOAT DIALOGUE: MALE/FEMALE, NO REP (WTG)
{365}{}{Catch the fight last night?}
{366}{}{I'm hitting the bar after work.}
# 24. CLICK DIALOGUE: MALE/FEMALE, MADE MAN: BISHOP, BISHOP = DEAD (WTG)
{370}{}{You can go up if you want. Bishop got whacked, so you can use the pool, too.}
# 25. INTRO (WTG)
{375}{}{What d'you want, pal? Make it quick.}
{376}{}{What d'you want, hon? Make it quick.}
{377}{}{You again. What the hell d'you want now?}
{378}{}{Me want world peace}
{379}{}{Me want to go up stairs}
{380}{}{Hoo Yoo}
{381}{}{Wander off}
{382}{}{What's up those stairs?}
{383}{}{I'm here to see Mr. Bishop.}
{384}{}{I'm here to see Mr. Bishop. I have a suitcase for him from Mr. Moore.}
{385}{}{Sorry, I seem to have taken a wrong turn. I'll be going now.}
# 26. TRY TO GO UPSTAIRS (WTG)
{390}{}{You got some business upstairs, pal?}
{391}{}{You got some business upstairs, honey?}
# 27. RETARD (25, 26, 29, 30, 32, 33)
{405}{}{Boy, you are one stupid son of a bitch, aren'tcha? }
{406}{}{Boy, you are one stupid bitch, aren'tcha? }
{407}{}{Look, get out of here before we beat the rest of your brains outta you.}
{408}{}{ME WANT WORLD PEACE ME WANT WORLD PEACE}
{409}{}{ME SAY ME WANT TO GO UP STAIRS}
{410}{}{HOO YOO}
{411}{}{Shamble off}
{412}{}{Let me pass.}
{414}{}{All right. I'm leaving.}
# 28. LOUD RETARD (27)
{420}{}{Dipshit, you just earned yourself a ticket to a world of hurt.}
{421}{}{Bitch, you just earned yourself a ticket to a world of hurt.}
{422}{}{YOO ONE WHO GET HURT}
{423}{}{ only want to be left ALONE but WORLD hurt }
{424}{}{ so }
{425}{}{ SMASH PUNY HUMANS}
{426}{}{Scream and dive for cover}
{427}{}{Go silent, brace yourself, and get ready to do some damage.}
{428}{}{You want some of THIS, boys?! YOU WANT SOME?! Then come GET some, you pathetic SONS OF BIT --}
# 29. WHAT'S UP THOSE STAIRS? (25, 26)
{435}{}{If you don't know, then you don't NEED to know. Now blow.}
# 30. BISHOP DEAD (25, 26, 27, 29)
{445}{}{Well, that's too damn bad, cuz Bishop took the road to the sky not too long ago. Now beat it.}
{446}{}{You deaf? John Friggin' Bishop is friggin' DEAD, awright? Now get outta here before you join him.}
{447}{}{Look, I need to go upstairs, just for a second.}
{448}{}{Okay, I'm leaving.}
# 31. I'M HERE TO SEE BISHOP (25, 26, 27)
{455}{}{No, I know Mr. Bishop's schedule, and you ain't on it.}
{456}{}{He's expecting me. Tell him I'm here.}
{458}{}{All right then. Goodbye.}
# 32. HE'S EXPECTING ME. (31)
{465}{}{Awright, pal. What's yer name? I'll check with the boss.}
{466}{}{Awright, hon. What's yer name? I'll check with the boss.}
{467}{}{I'm }
{468}{}{.}
{469}{}{You don't need my name. Just let me see him.}
{471}{}{Forget it. You don't need to check'I'll be going.}
# 33. HE'S EXPECTING ME (REFUSE) (32)
{475}{}{(The guard steps away for a moment, opens a panel one of the walls and whispers something. He waits for a minute, listens, then turns back to you.) }
{476}{}{He doesn't know you. Piss off, pal. You're wasting our time.}
{477}{}{He doesn't know you. Piss off, hon. You're wasting our time.}
{478}{}{Let me see him. Now.}
{479}{}{Tell him I have a suitcase for him... from Mr. Moore.}
{480}{}{Forget it then.}
# 34. HE'S EXPECTING ME (AGREE) (25, 26, 27, 28, 29, 33)
{490}{}{(The guard steps away for a moment, opens a panel one of the walls and whispers something. He waits for a minute, listens, then turns back to you and shrugs.) He says you can head on up.}
{491}{}{All right.}
# 35. MADE MAN: BISHOP (WTG)
{495}{}{Yo, }
{496}{}{! }
{497}{}{Mr. Bishop 'xpecting you?}
{498}{}{Yes. Can I head on up? We have business to discuss.}
{499}{}{No, not right now. Take care, guys.}
# 36. MADE MAN (35)
{505}{}{Sure, go on up, }
{506}{}{. }
{507}{}{Next time, don't even sweat asking…just head on up.}
{508}{}{Thanks.}
# END LINES
{1228}{}{. Now.}
{1229}{}{. Ain't your family gonna be missing you?}
{1230}{}{ family is a bunch of pussies. What you think about that?}
{1231}{}{ had time to do much more than kiss their bosses' ass.}
{1236}{}{ family is a bunch of pussies. Now I see it's true.}
{1247}{}{! You can't be showing weapons in here, awright?}
{1265}{}{. You taking care of yourself?}
{1266}{}{. What's up?}
{1276}{}{! You can't be showing weapons in here, awright?}
{1277}{}{! Put that weapon away.}
{1279}{}{! You can show your tits, but you can't show weapons in here, awright?}
{1290}{}{!}