| TOPIC
|
TOPIC TEXT / PROMPT
|
EMOTION
|
RESPONSE TEXT
|
#
|
| FollowersAcknowledgeMyOrder
|
FollowersAcknowledgeMyOrder
|
Neutral 50
|
[Christine nods.]
|
1
|
| FollowersFired
|
It's time for us to part ways.
|
Neutral 50
|
[Christine raises an eyebrow.]
|
2
|
| FollowersFiredNo
|
On second thought, stick with me for a little longer.
|
Neutral 50
|
[Christine narrows her eyes, then shrugs.]
|
3
|
| FollowersFiredYes
|
Yes, I'm sure.
|
Neutral 50
|
[Christine nods.]
|
4
|
| FollowersHired
|
I think we should travel together.
|
Neutral 50
|
[Christine glances at your companion, shakes her head, then raises her index finger.]
|
5
|
| I think we should travel together.
|
Neutral 50
|
[Christine nods.]
|
6
|
| FollowersLetsGo
|
Let's get going.
|
Neutral 50
|
[Christine nods.]
|
7
|
| FollowersOverburdened
|
FollowersOverburdened
|
Neutral 50
|
[Christine puts her palm flat and lowers it to the ground, shakes her head.]
|
8
|
| FollowersStealthing
|
FollowersStealthing
|
Neutral 50
|
[Christine crouches down.]
|
9
|
| FollowersTactics
|
Let's talk about your tactics.
|
Neutral 50
|
[Christine raises an eyebrow suspiciously.]
|
10
|
| FollowersTacticsCombat
|
I want you to change your combat style.
|
Neutral 50
|
[Christine looks at you and waits.]
|
11
|
| FollowersTacticsCombatAggressive
|
I want you to attack enemies the moment you see them.
|
Neutral 50
|
[Christine narrows her eyes, nods.]
|
12
|
| FollowersTacticsCombatEND
|
Let's talk about something else.
|
Anger 20
|
[Christine frowns, taps the back of her wrist, then circles her finger.]
|
13
|
| FollowersTacticsCombatGOODBYE
|
That's all. Let's get going.
|
Neutral 50
|
[Christine nods.]
|
14
|
| FollowersTacticsCombatMelee
|
Switch to a melee weapon.
|
Neutral 50
|
[Christine nods, and her stance changes slightly.]
|
15
|
| FollowersTacticsCombatPassive
|
I want you not to attack enemies unless I've already engaged them.
|
Neutral 50
|
[Christine raises an eyebrow, then shrugs.]
|
16
|
| FollowersTacticsCombatRanged
|
I want you to use ranged weapons.
|
Neutral 50
|
[Christine nods, closes one eye and slowly pulls an invisible trigger.]
|
17
|
| FollowersTacticsDistance
|
Let's talk about how close you're following me.
|
Neutral 50
|
[Christine tilts her head slightly.]
|
18
|
| FollowersTacticsDistanceDefault
|
Stay close to me.
|
Neutral 50
|
[Christine nods.]
|
19
|
| FollowersTacticsDistanceEND
|
Your distance is good. Let's talk about something else.
|
Neutral 50
|
[Christine nods.]
|
20
|
| FollowersTacticsDistanceGOODBYE
|
All right, you're good. Let's get out of here.
|
Neutral 50
|
[Christine nods.]
|
21
|
| FollowersTacticsDistanceLong
|
Keep your distance. Try to flank them.
|
Neutral 50
|
[Christine nods, makes a half circle with her hand.]
|
22
|
| FollowersTacticsEnd
|
Enough about tactics.
|
Neutral 50
|
[Christine nods, waits.]
|
23
|
| FollowersTrade
|
Let's trade equipment.
|
Neutral 50
|
[Christine nods, adjusts her gear.]
|
24
|
| FollowersWait
|
Wait here.
|
Neutral 50
|
[Christine nods.]
|
25
|
| GREETING
|
GREETING
|
Anger 10
|
Be patient, I'm going. {To herself but chiding the player} Maybe {emph} you should know when to let go. {Christine is walking to the Vault Elevator, asks player to be patient. This is a single bark to prevent breaking scripted sequence.}
|
26
|
| GREETING
|
Anger 50
|
{Cold, her voice is slightly torn, still healing up.} You made it, good. I'm getting tired of waiting for you - and Elijah. {Beat} Surprised? Yeah... I made it here, just like you did. {<Player made it through the Suites, Hated. Christine's voice is back, although it's ragged, it just healed.>}
|
27
|
| GREETING
|
Pained 10
|
{Relieved, voice thick from surgery} You made it, good... <Coughs>ugh.. {Winces} Hurts to talk. I'll keep this quick in case my... voice goes out.
|
28
|
| GREETING
|
Anger 10
|
{Frowns, a little defeated} You're back. You sure you still want me here, collars and all? {To herself, rueful} Not much for waiting around with a bomb around my neck. {Christine was not pleased to be asked to wait. Urges the player to find whatever he/she needs of her.}
|
29
|
| GREETING
|
Neutral 50
|
I... {coughs} I wish you luck in the Vault. Elijah... he's tough to pin down. {Christine's voice is restored, wishes the player luck in the vault.}
|
30
|
| GREETING
|
Neutral 50
|
[Christine is looking at the Fountain, her eyes narrowed. She then scans the courtyard perimeter, gauging the distance.]
|
31
|
| Neutral 50
|
[She glances at your wrist, then back at the Fountain.]
|
32
|
| GREETING
|
Pained 100
|
[The woman before you looks disoriented, pained - she blinks a few times, then winces, as if the act of blinking causes her pain.]
|
33
|
| GREETING
|
Neutral 50
|
[Christine points at the sky, makes a fist, then makes an explosion gesture with her fingers.]
|
34
|
| GREETING
|
Anger 50
|
[Christine shakes her head, narrows her eyes, then points at your compass.]
|
35
|
| GREETING
|
Fear 10
|
[Christine motions to you, points at the door uneasily, then makes a pulling motion with her hand. She seems hesitant to go near it.]
|
36
|
| GREETING
|
Neutral 50
|
{Return Greeting, Neutral} [Christine looks at you warily.]
|
37
|
| GREETING
|
Anger 50
|
{Return Greeting, Disliked} [Christine glares at you.]
|
38
|
| GREETING
|
Neutral 50
|
{Return Greeting, Liked} [Christine raises an eyebrow.]
|
39
|
| GettingChristinedownintoGalaEventposition
|
I need you to go down to the manual bypass room to regulate the power.
|
Fear 20
|
[Christine glances at the elevator, her expression becomes worried, then she looks back at you, then reluctantly shakes her head.]
|
40
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic000
|
That's our captor. He likes giving orders.
|
Neutral 50
|
[She circles her finger around the Fountain and moves her fingers and thumb together rapidly, as if talking.]
|
41
|
| Anger 50
|
[She frowns, stops moving her hand, then points at the Pip-Boy at your wrist.]
|
42
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic001
|
I dealt with the others, and I've got the key phrase.
|
Surprise 10
|
{Slight surprise} Surprised that Super Mutant didn't eat you... {under her breath} and don't get me started on Dean.
|
43
|
| I dealt with the others, and I've got the key phrase.
|
Neutral 50
|
{Takes a breath, rests tone, beat} So... I just rasp out some words, and the vault opens? {Beat, to herself} That woman, the starlet... she didn't build this place, why would the builder do that?
|
44
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic003
|
This place... I'm not sure, it doesn't feel like a casino. Not entirely.
|
Neutral 50
|
I know. The sealed doors, the security... it's almost a fortress. Think that's why we're being ordered to come here and crack it open?
|
45
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic005
|
All right, come with me.
|
Neutral 50
|
{Player has no companion, Christine comes along.} [Christine nods, and steps slightly behind you, waiting.]
|
46
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic007
|
Your voice... is that the Starlet's voice?
|
Disgust 10
|
{Cold} Guess the Sierra Madre healed me. {Dismissive} It doesn't matter, and to be honest, I miss {emph} my voice.
|
47
|
| Neutral 50
|
I've had enough of you and Elijah running the show. {Beat} Now it's my turn.
|
48
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic010
|
Does that Auto-Doc there work?
|
Neutral 50
|
{Glances at medical computer} Yeah, still functional. Lot of garbage data on it, its basic procedures should still work fine.
|
49
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic011
|
Anything you can download off of it?
|
Neutral 50
|
{Slightly impressed} Looks like you got almost everything, not much more {emph} I can extract... {slight smile} "doctor." {Not mocking at the end, she's impressed, means "doctor" as a casual compliment.}
|
50
|
| Anything you can download off of it?
|
Neutral 50
|
{Operating a terminal, hunting through folders} I can see... check the root, recent diagnostics...
|
51
|
| Neutral 50
|
Lot of Med-X was dispensed for... Vera Keyes. {To herself,} Guess that's her corpse there for certain... and why all those meds are scattered around in here.
|
52
|
| Neutral 50
|
...here's the medical report. {Scanning, somber} Looks like she had some sort of terminal condition... diagnosis isn't conclusive, {to herself} must have been painful.
|
53
|
| Sad 10
|
I'm not even sure she knew, if these medical reports are enough. She must have been numb most of the time.
|
54
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic012
|
{Act 3}I had some questions I wanted to ask you.
|
Neutral 50
|
{Nods} All right. {Beat} Just glad I can {emph} answer you now.
|
55
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic013
|
Can the Auto-Doc heal your scars?
|
Neutral 50
|
{Slight frustration} No... they run a lot deeper than that.
|
56
|
| Can the Auto-Doc heal your scars?
|
Sad 50
|
{Quiet, unpleasant memory} While I was hunting Elijah in the Big Empty, he trapped me in one of those medical research centers buried there.
|
57
|
| Sad 50
|
{Uncomfortable} It... did something to my head... and I got off lucky. It's difficult enough to read now, and somehow the leap between what's in my head and words...
|
58
|
| Sad 50
|
...it just ends up being a mish-mash of symbols, not letters. Can still do math, formulas, equations... {rueful} writing poetry's out.
|
59
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic014
|
You said you got off lucky?
|
Sad 50
|
{Unpleasant memories, cont.} Yeah... I saw records of other "patients," and what had been done to them. Some couldn't hear anything but static. Others, just... gibbering wrecks.
|
60
|
| Neutral 50
|
Never going back... and Elijah was on his way here, so I couldn't stop to see if it was something I could fix...
|
61
|
| Neutral 50
|
...if you can even fix what happened to me when they jabbed the electrodes into my skull and turned my head into a flashlight.
|
62
|
| Neutral 50
|
{Sighs} Then I got here, and my voice got severed... now I have a new one. {Grim} Another thing Elijah has to answer for.
|
63
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic015
|
Elijah didn't put you in the Auto-Doc... Dean did.
|
Surprise 50
|
{Emph, incredulous} Dean? {Beat, echoing disbelief} Dean {Emph} Domino?
|
64
|
| Neutral 50
|
Why would he want to torture me? {More to herself} If he wanted to do that, he could keep his singing career going... or keep staring at me.
|
65
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic017
|
The elevator to the vault is here, too.
|
Neutral 50
|
{Recognition, matter-of-fact} The elevator to the casino vault is here. In the starlet's room? That seems intimate.
|
66
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic018
|
I dealt with the other two in our team, now I need you to open something.
|
Anger 50
|
What? {Frowns} Open something... {beat} my voice. That's why it's hers... someone wanted to use me as a key.
|
67
|
| Neutral 50
|
All right, I can do that... hope you're ready.
|
68
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic019
|
How long have you been hunting him?
|
Neutral 50
|
Too long. Thought I might have had a chance to settle it before this event happened, but then the chance slipped away again.
|
69
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic020
|
You could have said something sooner.
|
Neutral 50
|
{Reluctant} Wasn't sure until now I could trust you. Now I know. {< voice is restored. Christine says she didn't know who she could trust. Thinks player is worth keeping around. >}
|
70
|
| You could have said something sooner.
|
Neutral 50
|
Look, when I woke up here... however that happened... I had this key on me - I think it belongs to her.
|
71
|
| Neutral 50
|
Haven't had a chance to use it yet - might open the dresser, or the safe - didn't have time to experiment with it before you arrived. Here you go.
|
72
|
| You could have said something sooner.
|
Neutral 50
|
{Reluctant} Wasn't sure until now I could trust you. Now I know. {< voice is restored. Christine says she didn't know who she could trust. Thinks player is worth keeping around. >}
|
73
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic021
|
Sounds personal.
|
Sad 50
|
He... cut me off from someone I cared about a long time ago. He used his status to break us apart. So I had to find a new purpose, same banner.
|
74
|
| Neutral 50
|
Then he became unstable, left a trail of crimes across the wasteland. Once word reached us, I was ordered to kill him.
|
75
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic022
|
He wasn't trying to torture you, he needed to alter your voice to use an audio-lock.
|
Neutral 50
|
To the vault... of course. {Nods} That makes sense.
|
76
|
| He wasn't trying to torture you, he needed to alter your voice to use an audio-lock.
|
Neutral 50
|
{DUPE} An audio-lock to where? {Beat, recognizes what happened} To the Sierra Madre vault. It's voice-activated. And he wanted in.
|
77
|
| Neutral 50
|
{DUPE} That makes sense. {Thinking} So... those bodies in the Clinic... all right. Dean always felt like the odd one out, and he kept... studying me.
|
78
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic023
|
You sound like the woman in the Sierra Madre broadcast.
|
Surprise 50
|
{Confused} Do I? {Shakes head} It sounds off to my ears... hard to tell. Not to mention it... hurts like hell to swallow.
|
79
|
| Neutral 50
|
Might be why I got moved off to this suite... it's hers. {Quiet} That's her over there, got trapped by security like I did. Just took a different way out. {Thinking. In second part, referring to the skeleton in the bedroom with her, dead.}
|
80
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic024
|
All right, let me see if I can find another way to do this without sending you down there.
|
Happy 50
|
[Christine smiles slightly in relief, and nods. She opens her mouth slightly, then closes it, frustrated.]
|
81
|
| Neutral 50
|
[She points at you, then makes a fist and puts it against her chest and nods.]
|
82
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic025
|
<Lie> We'll take the elevator up, see if there's another way to do this. After you.
|
Happy 50
|
[Christine smiles slightly in relief, and moves to the elevator.]
|
83
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic026
|
Settle it? You're here to kill him.
|
Neutral 50
|
{Cold} Those are my orders. I've seen what he's done, and I believe in those orders.
|
84
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic027
|
I've found a way to do the bypass from here. You should be able to just use the terminal over there.
|
Happy 50
|
[Christine nods gratefully. She glances in the direction of the terminal, looks at you, smiles, gives a thumbs up.]
|
85
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic028
|
I don't have time for this. Get in the damn elevator.
|
Anger 50
|
[Christine shakes her head, more insistently this time. She points at the elevator, then downwards, then holds herself tightly and shakes her head.]
|
86
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic029
|
Are you all right?
|
Pained 50
|
[She looks at you, blinks again, then opens her mouth - but nothing comes out.]
|
87
|
| Fear 100
|
[She touches her throat, then traces the scar beneath the chin, and her eyes widen in alarm.]
|
88
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic033
|
Look, I'm here to help.
|
Fear 20
|
[She looks shaken. As she glances at the Auto-Doc, she recoils, and her mouth opens - but again, nothing comes out.]
|
89
|
| Anger 20
|
[She looks back at you, and her hands clench into fists - her eyes narrow, and she takes a step back, studying you.]
|
90
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic035
|
This isn't what it looks like.
|
Anger 10
|
[The woman opens her mouth again, winces, then frowns and drags a finger across her throat in a slow motion. She looks more angry than pained now.]
|
91
|
| Anger 30
|
[Frowning, she touches her throat again, gently, then her hand brushes her collar, then her frown deepens.]
|
92
|
| Neutral 50
|
[Her eyes narrow as she traces the edge of the collar until she finds the lock. She begins to press it with her fingers.]
|
93
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic038
|
Don't do that!
|
Surprise 50
|
[She looks surprised. Then notices your collar, and raises an eyebrow.]
|
94
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic041
|
Let's just say we're in this together.
|
Anger 50
|
[She frowns, narrows her eyes, then slowly shakes her head.]
|
95
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic042
|
Those facial scars weren't done by the Auto-Doc - the throat scar was.
|
Neutral 50
|
[SUCCEEDED] [She nods... slowly, then puts her hand in front her throat, closes it slowly, then points at you.]
|
96
|
| That Auto-Doc really carved you up.
|
Anger 50
|
[FAILED] [She frowns, narrows her eyes, and looks at you.]
|
97
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic045
|
What do you mean by that?
|
Anger 50
|
[She shakes her head again and draws a line in the air between the two of you.]
|
98
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic048
|
Look, together we can get out of this.
|
Anger 20
|
[She shakes her head - once, then crosses her arms.]
|
99
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic051
|
I had questions I wanted to ask.
|
Anger 50
|
[Christine glances straight up, frowns, then turns back to you and taps her wrist.]
|
100
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic052
|
{After asking 1 Q}I had other questions.
|
Disgust 50
|
[She looks exasperated, then waves her hand in a circle in front of her.]
|
101
|
| {After asking 1 Q}I had other questions.
|
Neutral 50
|
[She raises an eyebrow, then tilts her head slightly.]
|
102
|
| {After asking 1 Q}I had other questions.
|
Anger 50
|
[She frowns, then cups her hand to her ear.]
|
103
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic053
|
Looks like someone set the bone saws to run random.
|
Disgust 20
|
[She shakes her head... then pauses, and shakes her head again, then looks exasperated.]
|
104
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic054
|
I don't understand why they shaved you bald.
|
Happy 50
|
[Christine looks blankly at you. Then touches her head, smiles, then shakes her head.]
|
105
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic055
|
Wait, the Auto-Doc didn't shave you bald?
|
Neutral 50
|
[She waves her hand, then shakes her head - she then nods in the direction of the casino.]
|
106
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic056
|
No, wait, I want to hear this. You were bald before?
|
Disgust 50
|
[She nods with an exasperated look, then makes a circle with her hands, repeats it twice more, then raises her hands and waves them like wings.]
|
107
|
| Neutral 50
|
[She puts both hands in front of her, then makes a motion with her hands as if writing something.]
|
108
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic057
|
[BOS] You were a Brotherhood of Steel Scribe?
|
Surprise 10
|
[She nods. She looks impressed.]
|
109
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic058
|
How the hell did you get out here?
|
Neutral 50
|
[She shrugs. Then she points to you and shrugs.]
|
110
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic060
|
Were you researching something?
|
Neutral 50
|
[She shakes her head.]
|
111
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic061
|
The Auto-Doc didn't do that?
|
Neutral 50
|
[She touches one of the scars on her cheeks, shakes head. Then touches the scar on her neck, and nods.]
|
112
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic062
|
So the Auto-Doc cut your voice box, not your scalp.
|
Neutral 50
|
[Christine nods.]
|
113
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic063
|
I can't restore your voice, we'd need a real Auto-Doc to do that.
|
Fear 50
|
[She shivers slightly, and shakes her head.]
|
114
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic065
|
You think he's using the Pip-Boy? To establish the projector connection?
|
Neutral 50
|
[SUCCEEDED] [She nods, and raises her hands, palms facing each other, then rotates in a 180 degree arc and back again.]
|
115
|
| That's the hologram projector in the Fountain. What of it?
|
Disgust 50
|
[FAILED] [She rolls her eyes, opens her mouth to speak, then stops, her face tensing up in frustration.]
|
116
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic066
|
Wait... that's a Brotherhood of Steel symbol, right? You're a Scribe?
|
Surprise 10
|
[SUCCEEDED] [She nods, looks impressed.]
|
117
|
| I... don't understand.
|
Neutral 50
|
[FAILED] [She shakes her head, then nods in the direction of the casino again.]
|
118
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic067
|
How did you get to the main gate? Then get here?
|
Anger 50
|
{Deliver this angrier, seems like a dupe, isn't} The Gala went off, the Switching Station opened up - thought the screeching in the Auto-Doc was bad, Station worse.
|
119
|
| Neutral 50
|
Got outside, saw the light show, and it was enough to make me run to the casino.
|
120
|
| Neutral 50
|
Also... it seemed like the lights and speakers were helping to guide me... guess your master wanted a back-up in case you died.
|
121
|
| Neutral 50
|
As for being assigned to this floor... maybe it's because of my new voice. Your guess is as good as mine. {Beat, sarcastic} Maybe it recognized me as a guest.
|
122
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic068
|
Where were you before?
|
Neutral 50
|
[She moves her finger in a wider circle, then raises her hand over her eyes.]
|
123
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic069
|
Maybe it was a trust issue? He built this place for her, it feels like.
|
Neutral 50
|
{Skeptical} It's possible. This place is immense... and it still has power, food dispensers, security... was it all for Pre-War guests? {Beat} Or for her?
|
124
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic070
|
How did you end up in the Auto-Doc?
|
Anger 50
|
[She moves her finger in a circle, frowns, then drags her hand down over her eyes. She raises them again, points to you.]
|
125
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic071
|
I let you out of the Auto-Doc. I can put you back in there just as fast.
|
Sad 50
|
[Her eyes widen, and her eyes gauge yours. She then touches her wounds, and her expression crumbles into anger, as if defeated. She slowly nods.]
|
126
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic072
|
I have no idea, let's unlock it. The phrase is contained in the lyrics to a song.
|
Neutral 50
|
{Nods} All right. {Cold, she knows she may be trapping the player down here} If you go down there, are you prepared... what if you don't come back? {Christine is asking, because she knows that Elijah will show up, and when he does, she's going to suicide and kill him.}
|
127
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic073
|
Glad we understand each other. Let's go.
|
Anger 50
|
{Player has no companion. Christine comes along.} [Christine narrows her eyes slightly. She slowly nods, then steps slightly behind you.]
|
128
|
| Glad we understand each other. Let's go.
|
Neutral 50
|
{Player has a companion. Christine goes to the fountain for now.} [Christine glances at your follower, shakes her head, then points at you, her, and nods in the direction of the fountain.]
|
129
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic074
|
I've got you to come down after me, it'll respond to your voice.
|
Neutral 50
|
{Evasive} I... just wanted to make sure you're ready. When you go down there, that may be it for us... we won't be needed anymore.
|
130
|
| Neutral 50
|
The one who made these collars, he'll follow you down there. And he won't let you leave. He's not one for sharing, never was.
|
131
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic075
|
Fine. Would hate to have carved you up anymore than you are.
|
Anger 50
|
[Christine's defeated expression vanishes into a stone-faced glare.]
|
132
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic078
|
It's a decayed speaker. If we stay too long near one, it'll go off.
|
Neutral 50
|
[She taps the collar and then opens and closes her hand really fast.]
|
133
|
| Neutral 50
|
[She taps her collar, then opens and closes her hand really fast.]
|
134
|
| Neutral 50
|
[She points at your Pip-Boy, her collar, and then your collar. After a second, then she opens and closes her hand slower.]
|
135
|
| It's a decayed speaker. If we stay too long near one, it'll go off.
|
Neutral 50
|
[She points at your collar, then hers, then nods at your Pip-Boy. She makes a triangle motion, then the same slow pulse as before with her fingers.]
|
136
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic079
|
I believe he loved her, wanted to protect her. Too much.
|
Neutral 50
|
{To herself} Love makes people do strange things. {Beat, quiet} Won't argue that. It can drive you crazy sometimes if you can't... connect.
|
137
|
| Neutral 50
|
{Reluctant, something's wrong} If they loved each other, and they were together... I suppose that's all that mattered.
|
138
|
| Neutral 50
|
But she's in that side room, dead, because the casino wouldn't let her leave. {Beat} And who knows where he is.
|
139
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic083
|
Get going. I'll meet you at the Fountain in the center of the Villa.
|
Neutral 50
|
{Christine goes to the fountain.} [Christine gives a brief nod, then turns and begins to walk.]
|
140
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic084
|
Look, I'm not trying to order you. But your life is tied to mine.
|
Anger 50
|
[She frowns, glances at the collar, looks back at you. She makes a circle with her hands, puts her hand over her eyes and squints.]
|
141
|
| Neutral 50
|
[She nods at you, then lowers her hand from her eyes, shakes her head. She draws a slow line between you.]
|
142
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic086
|
You're looking for something else. Fine, I can help.
|
Surprise 50
|
[She studies you again, then her expression softens slightly. She shakes her head slowly, and gives a silent sigh.]
|
143
|
| Neutral 50
|
[She nods at you, then raises an eyebrow and nods at the door.]
|
144
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic089
|
He said he knew you.
|
Neutral 50
|
He saw me, before the scars, at a place far from here. It's where he found some of the technology he uses now.
|
145
|
| Sad 50
|
{Remembering a bad experience, somber} It's a place called the Big Empty. The name's deceptive - if you know where to look.
|
146
|
| Neutral 50
|
{Still reflecting} Almost got trapped there. There was someone else, though, who came along. Knew about Elijah.
|
147
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic090
|
I found the phrase for elevator's audio lock.
|
Surprise 50
|
{Curious} You did? {Impressed} Looks like even the Old World can't keep you out when you've got a mind to get in.
|
148
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic091
|
He knew Elijah? How?
|
Neutral 50
|
No idea. A courier. Wore an Old World flag on his back. He was the one who pulled me out there, told me where Elijah had gone.
|
149
|
| Neutral 50
|
{Reflective} Helped me heal up, listened to my story. He... sympathized.
|
150
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic092
|
Sympathized? Why?
|
Neutral 50
|
He said he understood what it meant to track someone who had such a... impact on his past life.
|
151
|
| Anger 50
|
He said people were like couriers, sometimes never understanding the messages they brought. {Frowns} That's who he was hunting for... some courier.
|
152
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic094
|
There's a chance he'll see reason.
|
Disgust 50
|
{Disgusted} Try and reason with him, see what happens. He's so lost in his technology, I don't think he even understands why anymore.
|
153
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic095
|
You'll have to wait just a little longer.
|
Anger 10
|
{Slight irritation} Fine. {Warning player} I hear my collar beeping though, I've got the route to the exit all mapped out.
|
154
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic096
|
Are you going to be okay here?
|
Neutral 50
|
[She nods... then gestures at your hand, offers hers.]
|
155
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic097
|
<Take her hand.>
|
Happy 50
|
[She holds it, meeting your eyes intently for a few moments. She gives your hand a gentle squeeze, then releases it and smiles slightly.]
|
156
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic098
|
Not in a hand-holding mood right now.
|
Anger 50
|
[She frowns, then waves you away and focuses on the terminal.]
|
157
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic099
|
All right, be ready.
|
Neutral 50
|
[She narrows her eyes, determined, and gives a last nod.]
|
158
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic100
|
I don't understand.
|
Anger 50
|
[She tries to open her mouth and nothing comes out. Her eyes narrow and her hands ball into fists.]
|
159
|
| Anger 50
|
[She touches her collar, then shakes her head in frustration and nods at you to go ahead.]
|
160
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic103
|
I'll be back for you, okay?
|
Anger 50
|
[Christine tilts her head slightly, glances at your collar, then your Pip-Boy. She opens her mouth, frowns, then closes it.]
|
161
|
| Sad 10
|
[Her face looks sad, and she taps her chest once, slowly. She nods at you, then the exit.]
|
162
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic105
|
{Terrifying Presence}Get in that elevator or I'll make those scars on your face a pleasant memory.
|
Fear 50
|
[Christine takes a step back from your gaze... her eyes widen in alarm, she takes one step, then two toward the elevator.]
|
163
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic106
|
What's wrong?
|
Neutral 50
|
[Christine studies the elevator frame, raises her hands... then sets them down... then raises them up again.]
|
164
|
| Anger 50
|
[She gives a silent sigh of exasperation, and frowns at the elevator, and her hand brushes the side of her face, tracing the scar.]
|
165
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic107
|
[Perception] It reminds you of being trapped in the Auto-Doc.
|
Sad 50
|
[She turns to you, relieved, and nods... then she turns away, and her face crumbles. She makes motions with her fingers, then clenches her fists.]
|
166
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic108
|
I have no idea what your problem is.
|
Anger 50
|
[Her face becomes angry. She points at the elevator, points downward, then wraps her arms around her and shakes her head.]
|
167
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic112
|
That's what I'm counting on.
|
Neutral 50
|
{To herself} "Begin again, but know when to let go." {Shakes head, skeptical} Let's see what happens. {Christine now knows what she needs to say at the Vault Elevator. She will start heading toward it at the end of the sentence, to bark the password i}
|
168
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic113
|
{Know about mission}He'll come here, to the Suites - when he does, let him go through.
|
Neutral 50
|
I... can't let him leave here. Look, you've done so much, and he's not going to show himself until you go down there.
|
169
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic114
|
That's why you're waiting. You're going to kill him.
|
Neutral 50
|
[SUCCEEDED] I...
|
170
|
| {Know about mission}Are... are you all right? Something seems off.
|
Neutral 50
|
[FAILED] No... no, you have it wrong. Look, it's now or never, all right? Let me open the elevator. {She's lying in this node.}
|
171
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic115
|
Do you trust me? If you do, let go of this.
|
Sad 50
|
I can't let go. Every time I've thought about it...
|
172
|
| Do you trust me? If you do, let go of this.
|
Sad 50
|
{Quiet} I've lost him so many times. He needs to die... what happened here, with us? {Doesn't want to think about it} He's... he's done so much worse.
|
173
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic116
|
If he kills you, I won't be able to get out.
|
Neutral 50
|
I know. And he {pause} will kill me, I can't get the collar off. Even if I could, I need to be sure - see his eyes, his face, when he dies.
|
174
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic117
|
Let him come through the suites, follow me. If he escapes, you'll still be here, waiting.
|
Neutral 50
|
{Quiet} You have to promise me. Promise me you'll deal with him... if I see him, I...
|
175
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic118
|
If you try and kill him, I can't let you do it. If you die, you'll kill us both.
|
Neutral 50
|
{Quiet} I can't. It's my mission, has been. {Beat} This has to be done.
|
176
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic119
|
Then I need to keep you from doing it.
|
Sad 50
|
I... I didn't want this to happen. {Sighs} Ending him is more important than saving you. For what it's worth... I'm sorry.
|
177
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic120
|
Christine, please, let go of this. Let me deal with him.
|
Anger 50
|
{Hopeful, slight} All right. All right, I'll... {frowns} but I'll need to leave this floor. He'll pick up my collar, and...
|
178
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic123
|
Don't tell me where you're going - I'll find you after this.
|
Neutral 50
|
{Nods, sighs} I... {takes a breath} never mind. Let me get the vault open... {To herself, slowly, quiet as if memorizing it} "Begin again... but know when to let go." {Slight rueful laugh, to player} Sounds like you. {Say this a little tenderly, the player just talked her down from suicide, and Christine's found new purpose.}
|
179
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic125
|
You can dampen the signal somehow?
|
Neutral 50
|
[She is about to nod - then stops, points at herself, and shakes head.]
|
180
|
| What? You can make the speakers stop or something?
|
Anger 50
|
[FAILED] [She frowns, shakes her head.]
|
181
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic126
|
You can interfere with the Speaker's detonation frequency somehow?
|
Neutral 50
|
[SUCCEEDED] [She is about to nod - then stops, points at herself, and shakes head.]
|
182
|
| You... uh...speakers make a tempo... or...?
|
Anger 50
|
[FAILED] [She frowns, shakes her head.]
|
183
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic127
|
Does that work with any other collar?
|
Anger 50
|
[She frowns, slowly shakes her head - she opens her mouth, then makes the motion of tuning a dial, then points at herself.]
|
184
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic128
|
Got it, let's move on.
|
Neutral 50
|
[She nods, and motions for you to go ahead.]
|
185
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic129
|
It's just your frequency.
|
Neutral 50
|
[She nods, once, then again, points at the two of you, then the Pip-Boy.]
|
186
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic131
|
You can interfere with the detonation signal from the speakers?
|
Neutral 50
|
[SUCCEEDED] [She is about to nod - then stops, points at herself, and shakes head.]
|
187
|
| Yeah, speaker static makes our heads blow off, right.
|
Anger 50
|
[FAILED] [She frowns, shakes her head.]
|
188
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic132
|
Great. How romantic.
|
Surprise 50
|
[She looks puzzled for a second, then glares at you and motions you to move on.]
|
189
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic134
|
He leaves audio logs, too.
|
Neutral 50
|
[Christine holds out her hand, and motions at your Pip-Boy.]
|
190
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic135
|
<Show her the Pip-Boy.>
|
Neutral 50
|
[Christine studies the Pip-Boy intently, turning your arm around as if your wrist's a sensor module she just found.]
|
191
|
| Neutral 50
|
[She doesn't seem interested in the screen - she studies the exterior, then the casing. She seems to be making sure it's intact.]
|
192
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic137
|
What? What do you want?
|
Anger 50
|
[She frowns, and snaps her fingers at your Pip-Boy.]
|
193
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic138
|
I don't want you messing with this.
|
Anger 50
|
[Christine snarls, makes a dismissive wave, and goes back to studying the Fountain intently - then looks at the casino, then the Fountain again.]
|
194
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic139
|
Do you know what those machines around the Villa are?
|
Neutral 50
|
[Christine shakes her head, then pauses, and makes a small circle with her thumb and forefinger.]
|
195
|
| Neutral 50
|
[She points at you, and makes the motion of putting something in her palm.]
|
196
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic141
|
Careful, that's my arm, all right?
|
Anger 50
|
[Her finger stabs through the red buttons, narrowing in on the local map. She scrolls to the Sierra Madre's main gate, frowns, backs out.]
|
197
|
| Neutral 50
|
[She calls up the local map of the Puesta del Sol Switching Station, zooms in. Her intent expression loses some of its edge as she notes the marker.]
|
198
|
| Neutral 50
|
[She looks up at you, points at marker on your Pip-Boy, points West and tilts her head.]
|
199
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic144
|
You sure seem eager to go.
|
Neutral 50
|
[She points at the Fountain, then at your Pip-Boy... pauses, then points at her collar, then yours.]
|
200
|
| Neutral 50
|
[She encircles her throat with her hand, then slowly releases it. Then she motions again to the West.]
|
201
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic145
|
Why do you think he wants you to go the Puesta del Sol Switching Station?
|
Anger 50
|
[She frowns, then makes a motion as if typing at keys... then she points at you, raises her left wrist and pantomimes talking into it.]
|
202
|
| Neutral 50
|
[She points at you, then her, looks right and left, raises two fingers, tries to type, pauses, and slowly shakes her head.]
|
203
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic146
|
Neither Dean or Dog have the technical aptitude to man the Switching Station?
|
Neutral 50
|
[SUCCEEDED] [She slowly nods, looks impressed.]
|
204
|
| I... can only type with two fingers?
|
Neutral 50
|
[FAILED] [She sighs silently, then shakes her head and motions to the West.]
|
205
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic147
|
I don't know what you're talking about.
|
Neutral 50
|
[She sighs silently, then shakes her head and motions to the West.]
|
206
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic148
|
I don't have any Sierra Madre Chips on me.
|
Neutral 50
|
[She nods, then waits.]
|
207
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic149
|
Think he might be close, then. Any idea where?
|
Anger 50
|
[She surveys the area, focusing upwards. She glances at the casino, frowns. She then looks West, then East.]
|
208
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic151
|
You make a pretty lousy transmitter, you know.
|
Neutral 50
|
[She glares at you. After a second, she pauses, and smiles slightly, shaking her head. She then makes a circle of the skyline with her finger.]
|
209
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic152
|
Here's a Sierra Madre Chip. I'll need that back.
|
Neutral 50
|
[She examines the chip for a second, raises it to her eye, then turns it to the side, gauging its diameter and width.]
|
210
|
| Neutral 50
|
[She runs her finger over the surface slowly, checking the engraving. She then tosses the chip back to you.]
|
211
|
| Neutral 50
|
[She then pretends to look around, sees something on the floor, then pretends to bend down and pick it up. She then looks at you and nods.]
|
212
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic153
|
You want... a small circle?
|
Anger 50
|
[She frowns, shakes her head.]
|
213
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic154
|
We really don't have time for magic tricks right now.
|
Anger 50
|
[She frowns, shakes her head.]
|
214
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic155
|
You can... scrounge more somehow.
|
Happy 50
|
[SUCCEEDED] [She smiles, nods.]
|
215
|
| You... can make more?
|
Anger 50
|
[FAILED] [She frowns, looks frustrated for a moment, thinking.]
|
216
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic156
|
I don't understand.
|
Anger 50
|
[She frowns, looks frustrated for a moment, thinking.]
|
217
|
| I don't understand.
|
Neutral 50
|
[She stands still for a second, then stops, and slowly makes the motion of bending down and scooping something up.]
|
218
|
| Neutral 50
|
[Then she holds the imaginary object in her hand, as if heavy, and puts it in front of her, as if on a table.]
|
219
|
| Neutral 50
|
[She then hefts what looks like a small box, and pours it on top of the object, looks at it, then reaches down and holds up a small "O."]
|
220
|
| I don't understand.
|
Neutral 50
|
[Christine points at your pack, then points at the Fission Battery and the Scrap Metal.]
|
221
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic158
|
You can make more of those at a Workbench. With the right materials.
|
Happy 50
|
[SUCCEEDED] [She smiles, nods.]
|
222
|
| Neutral 50
|
[She points at your Pip-Boy, makes a motion of opening it up and removing something from it.]
|
223
|
| Neutral 50
|
[She then raises her hand and makes the motion of smashing it and holding up the remains.]
|
224
|
| I have no idea what you're talking about.
|
Anger 50
|
[FAILED] [She frowns, then thinks for a moment. She then points at your pack, and taps the back of her wrist.]
|
225
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic160
|
<Storage Line. Do not translate.>
|
Anger 20
|
Thought you'd leave me in that elevator? {Slow anger, remembering how the player trapped her} I haven't forgotten what you did in the Switching Station, not for a second.
|
226
|
| Anger 10
|
Trapped down in that room in the dark, listening to that {emph} sound, like saw blades. {Cold, anger} I could barely breathe... couldn't even scream!
|
227
|
| Fear 10
|
{Quiet, more to herself} Was like being operated on in that Auto-Doc in the Clinic... all over again.
|
228
|
| <Storage Line. Do not translate.>
|
Anger 20
|
Come to throw me in the Auto-Doc? Toss me back in the Clinic where you found me?
|
229
|
| <Storage Line. Do not translate.>
|
Pained 50
|
Did you know the Stimpak reservoirs ran out within an hour of being in there? I was in there for two weeks, and it kept... repeating the procedure.
|
230
|
| Disgust 50
|
{Disgust} No Med-X, no stims, just... that {emph} sound, feeling the scalpels... cut. {Cold} Now... we're going to see how you like it when someone else is in control. {Med-X, stims are healing items, and Christine didn't have any, very painful. Now is going to make player pay.}
|
231
|
| <Storage Line. Do not translate.>
|
Anger 20
|
I can switch the proximity of the detonation frequency. Try and run? I'll have the signal seek you out, blow up your collar from a distance.
|
232
|
| Anger 20
|
Come in close, maybe get the upper hand? I'll set off the proximity detonator, and your collar'll blow.
|
233
|
| <Storage Line. Do not translate.>
|
Neutral 50
|
[She points at the casino, makes a movement with her hands as if talking, and then repeats the squinting gesture.]
|
234
|
| <Storage Line. Do not translate.>
|
Neutral 50
|
[Christine waits, studying you.]
|
235
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic161
|
You need a battery... a Fission Battery... and Scrap Metal? And you can counterfeit the chips?
|
Surprise 20
|
[She nods, impressed. Then she points at you, then her and makes a circle.]
|
236
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic162
|
Can you teach me how to do it?
|
Neutral 50
|
[She nods. She then makes a series of hand motions to represent weight and amounts - enough so you think you could do it on your own.]
|
237
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic165
|
What are you planning to do?
|
Neutral 50
|
When we first met, I thought I recognized the collar technology. Just needed some time to experiment with it.
|
238
|
| Neutral 50
|
I noticed the signal lag as soon as you arrived on the floor. Collar detonator signal's down to a dull thud, more like a heartbeat than a screech.
|
239
|
| Neutral 50
|
You think you can kill me, then make a run for the exit before my dead man's signal catches you and blows that collar. {Beat, player walked into trap} Not gonna be that easy.
|
240
|
| Neutral 50
|
The Suites here gave me enough tools and enough time that our frequencies... I can push and pull that collar of yours however I want.
|
241
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic166
|
You've had your voice back for only a little while, and I'm already sick of listening to you.
|
Anger 50
|
{Cold, determined} Silence suits me fine. When your master shows, I'll deal with him, too. {< Christine talks smack back and starts the fight. "Master" is delivered with disgust.>}
|
242
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic168
|
You found a way to modify the collar's radio frequency.
|
Neutral 50
|
[SUCCEEDED] I did. And it means I can control your movements.
|
243
|
| Is that like a science thing?
|
Neutral 50
|
[FAILED] {DUPE} You'll find out.
|
244
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic169
|
You can modify the detonator signal. I don't see how that helps you.
|
Neutral 50
|
[SUCCEEDED] Oh, it helps... as long as I need to control your movements.
|
245
|
| But... your collar's still on. So you're not free.
|
Neutral 50
|
[FAILED] Free? I have more freedom of movement than you do, and that's all I need.
|
246
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic170
|
What are you talking about?
|
Neutral 50
|
You'll find out.
|
247
|
| What are you talking about?
|
Neutral 50
|
Try and run, it won't matter, the signal will find you. Get too close to me, then the signal'll lock on. You can't get away.
|
248
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic171
|
Can't you communicate some other way? Can you write?
|
Anger 50
|
[SUCCEEDED] [Christine frowns, then pauses and traces one of the scars on her head with her finger.]
|
249
|
| Neutral 50
|
[She then makes a motion as if picking up a pencil, tries to write, then shakes her head.]
|
250
|
| This nodding, frowning, pointing you do is wearing me out.
|
Anger 50
|
[FAILED] [Christine nods, frowns, then points at you, then points West. Then she glares at you.]
|
251
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic173
|
There'll be a second or two of lag while you switch it. That's long enough for me to kill you.
|
Fear 10
|
{Slightly uneasy, player is right} We'll see. I don't think you're gonna have the time.
|
252
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic174
|
You know I didn't put you in the Auto-Doc, right?
|
Neutral 50
|
You, Elijah... it doesn't matter. Both of you have run out of places to hide.
|
253
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic175
|
We're inside the casino. We don't need to fight anymore, it's useless.
|
Sad 10
|
[SUCCEEDED] No, I believe you. All along, you were watching out for yourself. I understand. {A little softer here, for a second, Christine is going to pass along some wisdom before the player dies.}
|
254
|
| Neutral 50
|
But I wonder what you would have done if there hadn't been these collars. Would you have gotten me out of the Clinic at all?
|
255
|
| Neutral 50
|
So as long as we're "in this together," and it's a choice between you and me? I know what you're going to choose.
|
256
|
| Neutral 50
|
I'm not gonna wait for that to happen - again. I'm tired of being controlled.
|
257
|
| Even with the differences in the Villa, I don't want to fight.
|
Neutral 50
|
[FAILED] I believe you. And that's not the point. That collar... I believe you got caught by Elijah, too. I don't think it changes who you are.
|
258
|
| Neutral 50
|
How you behaved in the Villa... all that was you. And as bad as these collars are, maybe it kept you from being {emph} worse.
|
259
|
| Disgust 10
|
And that's the worst part about all this. That it takes something like that to keep you from hurting someone else.
|
260
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic176
|
I didn't put you in that Auto-Doc. Dean did.
|
Surprise 50
|
{Disbelieving} Dean? {Emph} He put me in there? No, I don't believe it. He didn't have any reason to torture me. You, on the other hand...
|
261
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic177
|
He wasn't trying to torture you, he needed to alter your voice to use an audio-lock.
|
Neutral 50
|
An audio-lock to where? {Beat, recognizes what happened} To the Sierra Madre vault. It's voice-activated. And he wanted in.
|
262
|
| Neutral 50
|
That makes sense. {Thinking} So... those bodies in the Clinic... all right. Dean always felt like the odd one out, and he kept... studying me. {Chewing it over, slight disgust at end.}
|
263
|
| Neutral 50
|
He was trying to figure out if I recognized him... and see if my throat healed. I'll deal with you first, then I'll deal with him.
|
264
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic178
|
Something to do with the surgery.
|
Neutral 50
|
[She pauses, then draws a jagged symbol like electricity in the air, then puts on an odd, staring face.]
|
265
|
| Neutral 50
|
[She keeps the blank face for a second, then slowly blinks, looks around. She looks at her hands, shakes them, then lets them go limp.]
|
266
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic179
|
So... brain damage, or...?
|
Neutral 50
|
[She shakes her head... then stops, as if thinking.]
|
267
|
NVDLC01ChristineDialogueNVDLC01ChristineTopic180
Why... would someone remove your ability to write, or...
|
That's a specific form of brain surgery using electrodes. Pre-War.
|
Neutral 50
|
[SUCCEEDED] [She nods, slowly, and then makes the motion of typing and drawing X's and lines in the air, and then gives a thumbs up.]
|
268
|
| That's a rather specific form of operation.
|
Sad 20
|
[FAILED] [She looks distant... then slowly shakes her head.]
|
269
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic181
|
You can still do math, that's good to hear.
|
Happy 50
|
[She nods, smiles.]
|
270
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic182
|
You can still do numbers and calculations.
|
Neutral 50
|
[She nods.]
|
271
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic183
|
You were knocked out?
|
Neutral 50
|
[She nods. She raises an eyebrow, points at you, makes a circle, then points at your feet.]
|
272
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic184
|
He's broadcasting from the casino.
|
Anger 50
|
[Christine looks at you, frowns. Then glances at the casino, her eyes narrowed. She stops breathing for a second, as if holding it in.]
|
273
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic185
|
You really want to get to him, don't you.
|
Neutral 50
|
[She ignores you for a second, still staring at the casino. Then she glances at you, and her face and stance relax slightly.]
|
274
|
| Anger 50
|
[She points at her collar, then the casino with an irritated look. She then folds her arms and raises an eyebrow.]
|
275
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic186
|
No, before we go any further, I need to know what the problem is.
|
Neutral 50
|
[SUCCEEDED] [She looks like she's about to shake her head, stops, and then puts her hand over her eyes and squints, as if staring in the distance.]
|
276
|
| Um, do you want to talk about it, or...?
|
Neutral 50
|
[FAILED] [She glares at you a moment, then slowly shakes her head.]
|
277
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic187
|
Don't ignore me - your whole body language changed there.
|
Neutral 50
|
[SUCCEEDED] {DUPE} [She looks like she's about to shake her head, stops, and then puts her hand over her eyes and squints, as if staring in the distance.]
|
278
|
| You kind of... changed there for a second.
|
Neutral 50
|
[FAILED] [She glares at you a moment, then slowly shakes her head.]
|
279
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic188
|
Aren't you upset?
|
Neutral 50
|
{Grim, shakes head} I've... done worse. Much worse... and for more hopeless causes, and I will again.
|
280
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic189
|
You're looking for the man inside the casino.
|
Neutral 50
|
[She nods.]
|
281
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic191
|
Why are you looking for him?
|
Anger 50
|
[She wrinkles her face, frowns, and looks angry. She touches her throat, traces the scar with her finger, then points the finger at the casino.]
|
282
|
| Anger 50
|
[She then points at your collars, points at the casino. Then she matches your gaze with a dark expression, then draws a slow line across her throat.]
|
283
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic192
|
You want to kill him.
|
Neutral 50
|
[She gives a nod. Then another nod, even slower.]
|
284
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic195
|
I'm fine with killing the son of a bitch. As long as we can torture him first.
|
Anger 10
|
[She nods grimly. She seems satisfied.]
|
285
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic196
|
Could always slap a collar on him and let him run into a wall of speakers.
|
Neutral 50
|
[Christine's expression relaxes slightly, and she nods.]
|
286
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic197
|
I'd like to know why he did all this first and what's so important about the casino.
|
Anger 50
|
[Christine's expression becomes furious, and she raises her hands, draws jagged lines in the air.]
|
287
|
| Neutral 50
|
[She then points at you, then the direction of the casino, and makes the motion of two hands talking to each other.]
|
288
|
| Neutral 50
|
[As one hand continues to talk, she moves the other hand to the wrist, and constricts until the other hand slows, stops talking.]
|
289
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic198
|
I'm not out to kill anyone, I just want to get out of here.
|
Neutral 50
|
[Christine looks at you, then shakes her head, points at your collar, then the front gate and shakes her head.]
|
290
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic199
|
I don't care. I'd rather reason with someone first than simply kill them.
|
Neutral 50
|
[She then slowly shakes her head and draws an "X" in the air.]
|
291
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic200
|
He came this way for a reason, and I want to know why.
|
Neutral 50
|
[She then slowly shakes her head and draws an "X" in the air.]
|
292
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic204
|
I didn't bring you here.
|
Anger 50
|
[She looks at you for a moment, studying you. She doesn't move. After a second or two, she frowns.]
|
293
|
| I didn't bring you here.
|
Anger 50
|
[She frowns, glances at your feet, then nods. She then raises an eyebrow, points at you, makes a circle, then points at your feet.]
|
294
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic206
|
Now... wait, you're acting like you don't trust me or something.
|
Neutral 50
|
[She continues to look at you for a moment, studying you, then her eyes fall to your collar, then your Pip-Boy.]
|
295
|
| Neutral 50
|
[She glances back up at you, then she circles herself and points at the ground between you.]
|
296
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic207
|
What? What about my feet?
|
Neutral 50
|
[She repeats the circling motion again. This time, she lowers her hand and circles her finger inward, until she's pointing at the spot between you.]
|
297
|
| Neutral 50
|
[Still pointing at the ground between you two, she raises an eyebrow.]
|
298
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic209
|
You want to know how I got here?
|
Happy 50
|
[SUCCEEDED] [She smiles, nods.]
|
299
|
| I... don't understand.
|
Neutral 50
|
[FAILED] [She makes a mock sigh.]
|
300
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic210
|
Followed a radio signal here, a woman's voice.
|
Neutral 50
|
[She waits. After a second, she raises her eyebrow again.]
|
301
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic211
|
None of your business.
|
Neutral 50
|
[She shrugs, then taps the back of her palm in the direction of the Fountain.]
|
302
|
| None of your business.
|
Neutral 50
|
[She shrugs, then taps the back of her palm, pointing West and down.]
|
303
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic212
|
<Raise an eyebrow back.>
|
Happy 50
|
[Almost against her will, she smiles. After a moment, the smile fades, and she points at the ground again.]
|
304
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic213
|
...I was curious where it led.
|
Neutral 50
|
[She looks at you for a second, studying you. Then nods.]
|
305
|
| Neutral 50
|
[She points at you, then points at the casino, and she slowly shakes her head - then points in the direction of the main gate.]
|
306
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic216
|
Looking to start life as a Prospector, figured this place was a good place to start.
|
Anger 50
|
[She frowns, puts her hands on her hips and glares at you. After a second, she rolls her eyes.]
|
307
|
| Disgust 50
|
[She then makes a mocking, slow intake of breath, and then winces. Then she glances at you, points in the direction of main gate.]
|
308
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic218
|
If I could leave, I would.
|
Neutral 50
|
[She looks at you for a moment, glances at your collar, shrugs. She then lightly grabs her neck with both hands, holds it for a moment.]
|
309
|
| Neutral 50
|
[Then her hands fall away. She looks at you, looks at the exit and nods.]
|
310
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic219
|
Me? What about you?
|
Neutral 50
|
[She slowly shakes her head, then points at the ground.]
|
311
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic220
|
Are you saying it's one or the other?
|
Anger 50
|
[She frowns. Glances in the direction of the casino, then the exit, then back in the direction of the casino.]
|
312
|
| Neutral 50
|
[She shrugs... without strength or conviction. She isn't looking at you when she does.]
|
313
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic224
|
Do you know how to get out of here?
|
Neutral 50
|
[She points in the direction of the main gate. Then points at your collar, shakes her head, and locks her hands around her neck.]
|
314
|
| Neutral 50
|
[Then her hands lash outwards, fingers splayed and she rolls her eyes back. After a second she turns back to you shakes her head.]
|
315
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic225
|
So once the collars are gone, we can just leave?
|
Neutral 50
|
[She nods slowly, as if thinking. Then she raises an eyebrow, looks skeptical, then shrugs.]
|
316
|
| Anger 20
|
[She points downwards, makes a circle around her, then back to the same spot... and then her finger drifts, circling, and she makes a mock-frown.]
|
317
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic226
|
You're saying it'll be difficult to return here if we leave.
|
Neutral 50
|
[SUCCEEDED] [She shakes her head, points at herself, then points at you, nods.]
|
318
|
| I... have no idea what you're saying. Again.
|
Disgust 50
|
[FAILED] [She looks frustrated, then makes a dismissive wave.]
|
319
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic227
|
You were over the moon?
|
Neutral 50
|
[She shakes her head and rolls her eyes.]
|
320
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic228
|
...to return here if I leave.
|
Neutral 50
|
[She nods.]
|
321
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic229
|
But not you.
|
Neutral 50
|
[She nods once.]
|
322
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic230
|
Why can't you find your way back?
|
Neutral 50
|
[She slowly shakes her head. She points at the ground, then moves each leg outward, straddling the place where she's pointing.]
|
323
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic231
|
You aren't going to leave.
|
Neutral 50
|
[She nods.]
|
324
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic232
|
So you're after the treasure then?
|
Anger 50
|
[She frowns, shakes her head... pauses... then tilts her head slightly, nods slowly.]
|
325
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic234
|
Why would you want to stay here of all places?
|
Anger 50
|
[She frowns, makes a mock motion of loading a gun, then hefting it to her shoulder and taking aim at something in the distance.]
|
326
|
| Why would you want to stay here of all places?
|
Neutral 50
|
[Then she pauses, makes a sweeping circle, then puts her arms in a circle around it, as if covering it.]
|
327
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic235
|
You were... looking for something?
|
Neutral 50
|
[Shakes her head and makes a motion of two fingers walking.]
|
328
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic236
|
You want to kill something here, then protect this place.
|
Neutral 50
|
[SUCCEEDED] [She looks impressed, nods.]
|
329
|
| You want to... hunt here?
|
Disgust 50
|
[FAILED] [She looks frustrated, then makes a dismissive wave.]
|
330
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic237
|
Why do you want to do that?
|
Surprise 50
|
[She looks at you, as if surprised. Then glances at your collar, wrinkles her face, and points at it.]
|
331
|
| Neutral 50
|
[She makes a wide sweeping circle of the area, looking around... then brings both hands back to her, then to her neck, and holds it.]
|
332
|
| Neutral 50
|
[Her hands still on her neck, she looks at you gravely, then shakes her head.]
|
333
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic238
|
You're worried someone's going to find this place? Use it to hurt people.
|
Pained 50
|
[She nods slowly, hands still locked on her throat. She looks pained for a moment, and she breaks from your gaze.]
|
334
|
| Anger 50
|
[Her fingers flutter, almost frantically, for a second, and she runs her hands along her scalp, then her throat - then the collar.]
|
335
|
| Anger 50
|
[She points at your Pip-Boy, almost with frustration... then gestures all around her, and her shoulders seem to sag.]
|
336
|
| Neutral 50
|
[After a moment, she glances back at you, glances around her, then shakes her head slowly.]
|
337
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic239
|
You can't protect the world from the world... it's useless.
|
Neutral 50
|
[She points at your collar, then hers, and shakes her head slowly... then cuts the air with her hand and her face becomes blank.]
|
338
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic240
|
I'm not the one trying to communicate with hand motions.
|
Disgust 50
|
[She gives you a snarl, glances at your collar, makes a dismissive wave.]
|
339
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic242
|
Things would be a lot easier if you did one snap for yes, two snaps for no.
|
Neutral 50
|
[She smiles humorlessly. She then nods once slowly. Then she shakes her head slowly.]
|
340
|
| Neutral 50
|
[She then looks at you, her face wrinkled in a humorless smile.]
|
341
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic243
|
Okay, okay, I get it. <Nod slowly.> Better than finger snaps.
|
Happy 50
|
[SUCCEEDED] [Her face wrinkles more, and then she gives a reluctant smile.]
|
342
|
| What are you shaking and nodding for?
|
Neutral 50
|
[FAILED] [She looks frustrated, then makes a dismissive wave.]
|
343
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic244
|
You were looking for someone?
|
Neutral 50
|
[She nods and raises a finger.]
|
344
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic245
|
A smile... now that's more like it.
|
Happy 50
|
[Still smiling, she rolls her eyes, and then slowly taps the back of her wrist.]
|
345
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic246
|
You really need to relax. This entire place is a Pre-War paradise, you know.
|
Surprise 50
|
[She looks at you, surprised. Then she opens her mouth as if to laugh... silently.]
|
346
|
| Anger 50
|
[Almost as soon as she utters her silent laugh, she stops, looks pained, and her expression becomes dark.]
|
347
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic247
|
Look... we'll find a way to heal you, all right?
|
Anger 50
|
[She doesn't look at you, continues to stare darkly in front of her.]
|
348
|
| Neutral 50
|
[After a moment, she glances at you, then taps the back of her wrist. She nods in front of her.]
|
349
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic248
|
Wherever you were, it was hot out.
|
Neutral 50
|
[She shakes her head and rolls her eyes.]
|
350
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic249
|
This charades shit is driving me crazy.
|
Anger 50
|
[She frowns and raises her middle finger.]
|
351
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic250
|
A robot?
|
Neutral 50
|
[She shakes her head and pumps her fist near her chest.]
|
352
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic251
|
Man?
|
Neutral 50
|
[She nods. She makes a motion with her hands around her chin, drawing it down, and then she raises her hands and clenches them at the sky.]
|
353
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic252
|
Or a woman?
|
Anger 50
|
[She shakes her head... then stops mid-way, frowns... then tilts her head, as if thinking. She seems lost in thought for a moment.]
|
354
|
| Happy 20
|
[She glances at you, as if caught, then she smiles slightly, but there's an edge to it. Then she shakes her head, slowly, once.]
|
355
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic254
|
An... angry, bearded... man.
|
Neutral 50
|
{SCRIPT: Knows that Elijah is in Pip-Boy} [She points at your Pip-Boy.]
|
356
|
| An... angry, bearded... man.
|
Neutral 50
|
[She nods, looks concerned, taps the side of her head, and expands her hands.]
|
357
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic255
|
You were looking for a man in a Vault.
|
Neutral 50
|
[She shakes her head, points at your Pip-Boy again.]
|
358
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic256
|
You were looking for a Vault Boy?
|
Neutral 50
|
[She shakes her head, points at your Pip-Boy again and makes a talking motion with her hand.]
|
359
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic258
|
Someone smart.
|
Neutral 50
|
[She nods, then circles her ear.]
|
360
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic259
|
...and nuts.
|
Anger 50
|
[She nods, frowns.]
|
361
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic260
|
Sounds like it's pretty important to you to find this person.
|
Anger 50
|
[SUCCEEDED] [She frowns, raises two fingers, and has them walk together. Then she looks down on the two fingers, and her face becomes angry.]
|
362
|
| Anger 50
|
[Then she chops her hand down, and draws the two fingers apart. One of the finger she points at herself.]
|
363
|
| So why would you waste time looking for him?
|
Neutral 50
|
[FAILED] [She pauses, looks at you for a second, then shrugs and shakes her head.]
|
364
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic261
|
I don't understand.
|
Sad 50
|
[She repeats the chopping motion, slower, then draws the two fingers apart. She looks sadly at one of the fingers.]
|
365
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic262
|
He cut you off from someone.
|
Neutral 50
|
[She nods.]
|
366
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic263
|
Family? Husband?
|
Anger 50
|
[She frowns, shakes her head, and even more so at husband.]
|
367
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic264
|
Oh - girlfriend.
|
Neutral 50
|
[She hesitates, then waves her hand.]
|
368
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic265
|
Uh... boyfriend?
|
Neutral 50
|
[She shakes her head.]
|
369
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic266
|
What, your wife?
|
Neutral 50
|
[She shakes her head, but rolls it side to side.]
|
370
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic267
|
Oh - girlfriend.
|
Neutral 50
|
[She hesitates, then waves her hand.]
|
371
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic268
|
Oh- girlfriend.
|
Neutral 50
|
[She hesitates, then waves her hand.]
|
372
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic269
|
You were more than girlfriends - lovers.
|
Surprise 20
|
[She nods, and looks at you a little surprised.]
|
373
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic270
|
Unrequited? Or...
|
Neutral 50
|
[She shakes her head, draws the two fingers together, then shakes her head more emphatically.]
|
374
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic271
|
What, you think I don't understand love?
|
Neutral 50
|
[She raises an eyebrow, looks at you.]
|
375
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic273
|
I understand how important a loved one can be.
|
Neutral 50
|
[She nods slowly, studying you. She seems to be gauging you again.]
|
376
|
| Neutral 50
|
[She makes a slow circle motion after a moment, taps her wrist.]
|
377
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic275
|
How did you get here from the Gala Event? And onto this floor?
|
Sad 50
|
{Deliver this slow, thoughtful, seems like a dupe, isn't} The Gala went off, the Switching Station opened up - {to herself, rueful} thought the screeching in the Auto-Doc was bad, Station worse.
|
378
|
| Neutral 50
|
Got outside, saw the light show, and it was enough to make me run to the casino.
|
379
|
| Neutral 50
|
Also... it seemed like the lights and speakers were helping to guide me... guess your master wanted a back-up in case you died.
|
380
|
| Neutral 50
|
As for being assigned to this floor... maybe it's because of my new voice. Your guess is as good as mine. {Beat, sarcastic} Maybe it recognized me as a guest.
|
381
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic276
|
What weapons are you skilled at?
|
Neutral 50
|
[Christine draws a jagged lightning bolt in the air, pantomimes throwing a grenade, and then pulls an imaginary knife from behind her back.]
|
382
|
| Anger 50
|
[Then she moves her feet shoulder width apart, holds hands up in a martial arts stance, then turns both hands into pistols, pantomimes rapid-firing.]
|
383
|
| Neutral 50
|
[She then holds one pistol up, takes aim as if sighting along the barrel and does a single shot, ends with a nod.]
|
384
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic277
|
Energy Weapons, Explosives, Melee, Unarmed, and Guns. Is that all?
|
Neutral 50
|
[She nods. Once.]
|
385
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic278
|
You seem like you've been well-trained.
|
Neutral 50
|
[She shrugs slightly, then waits.]
|
386
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic279
|
Oh, is that all? Guess that'll do.
|
Anger 50
|
[She makes a disapproving frown, shakes her head.]
|
387
|
| NVDLC01ChristineDialogueNVDLC01ChristineTopic280
|
So after your speech about control, now you're going to use the collars like Elijah did?
|
Anger 10
|
{Frowns, slow} You know what... you're right. I don't need to use the same methods to kill you, and I shouldn't... it would make me as bad as Elijah is.
|
388
|
| Anger 10
|
{Cold, low} All right - forget the proximity frequency, we'll decide this ourselves.
|
389
|
| NVDLC01ChristineSpeaker
|
NVDLC01ChristineSpeaker
|
Anger 50
|
[Christine stops, glances at the speaker, then glances at your collar, frowning.]
|
390
|
| NVDLC01ChristineVaultHelpTopic01
|
NVDLC01ChristineVaultHelpTopic01
|
Neutral 50
|
{Breaks into player's frequency while he's being blasted with turrets, urgency} Seeing what I can do to shut those turrets down from up here... come on... come on... {<AUDIO: From player's bomb collar. Christine tells the player that she's trying to bring the Vault's turrets down.>}
|
391
|
| Anger 10
|
...got it, two of 'em down... can't shut down the others - he's cut off access. {frustrated} Dammit! {Beat, cold} Put him down, bury him - whatever it takes! {<Christine succeeds in hampering the Vault's security turrets.><Christine lets the player know that two turrets are now disabled. She urges the pla}
|
392
|
| NVDLC01ChristineVaultHelpTopic02
|
NVDLC01ChristineVaultHelpTopic02
|
Anger 50
|
...got it, two of 'em down... can't shut down the others - he's cut off access. {frustrated} Dammit! {Beat, cold} Put him down, bury him - whatever it takes! {<Christine succeeds in hampering the Vault's security turrets.><Christine lets the player know that two turrets are now disabled. She urges the pla}
|
393
|
| NVDLC01ChristineVaultPasswordBark
|
NVDLC01SuitesChristineVaultPasswordBark
|
Fear 10
|
{Hesitates, big moment} "Begin again - {slightly quieter} but know when to let go." {Christine hesitates for a moment, preparing herself to speak the password to open the Vault Elevator. A pregnant pause, then she delivers.}
|
394
|
| NVDLC01DeanToChristineTopic01
|
NVDLC01DeanToChristineTopic01
|
Anger 50
|
[Christine studies Dean, frowns.]
|
395
|
| NVDLC01DeanToChristineTopic01
|
Neutral 50
|
[Christine shakes her head slowly.]
|
396
|
| NVDLC01DeanToChristineTopic02
|
NVDLC01DeanToChristineTopic02
|
Anger 50
|
[Christine frowns, tilts her head slightly.]
|
397
|
| NVDLC01DeanToChristineTopic03
|
NVDLC01DeanToChristineTopic03
|
Anger 20
|
[Christine's eyes narrow.]
|
398
|
| NVDLC01DeanToChristineTopic03
|
Anger 50
|
[Christine eyes narrow to slits.]
|
399
|
| NVDLC01ETChristineSpeakerBark
|
NVDLC01ETChristineSpeakerBark
|
Neutral 50
|
[Christine taps her collar, makes a sweeping gesture at the area, then begins to pulse her fingers outward, faster and faster.] {She's indicating speakers may be nearby.}
|
400
|
| NVDLC01ETChristineVendBark
|
NVDLC01ETChristineVendBark
|
Neutral 50
|
[Christine nods at the Vending Machine, then makes a sweeping gesture with both arms and draws them to her chest.] {<After entering a room with a vending machine, Christine indicates to the player that it may be a good time to stock up on supplies>}
|
401
|
| NVDLC01EndingChristine
|
NVDLC01EndingChristine
|
Sad 10
|
{Christine Dead: Narration} Christine, scarred by her hunt for Elijah and unable to let him go, perished in the Sierra Madre Casino. {This plays if Christine died. Even though narrating, keep this on the somber side.}
|
402
|
| Neutral 50
|
{Narration} She never completed her mission, nor did she stop to consider what had driven her to accept the mission in the first place. {This plays if Christine died. Even though narrating, slightly judgmental.}
|
403
|
| Sad 10
|
{Narration} Obsession is another form of greed, a lesson that Christine never learned. {This plays if Christine died. Even though narrating, slightly judgmental and sad at the same time, as if shaking head.}
|
404
|
| NVDLC01EndingChristine
|
Neutral 50
|
{Christine Alive: Narration} Christine, her mission complete, found new purpose as the Sierra Madre's warden. She watched over it silently - by choice. {This plays if Christine lives. Even though narrating, this ending is slightly stronger, more reverent.}
|
405
|
| Neutral 50
|
{Narration} Over time, the Ghost People came to see her as one of the Holograms. They would watch, silently, as she walked among them.
|
406
|
| Neutral 50
|
{Narration, a little tender here} At times, Christine thought of the Courier, who had kept Elijah's hand from her throat.
|
407
|
| Neutral 50
|
{Narration} The Courier reminded her of the {slight emph} other courier she had met in the Big Empty, and wondered if the two had found each other at last. {Big Empty is a location in Fallout.}
|
408
|
| Neutral 50
|
{Narration, quiet} She did not think of them again until she heard the legends of the Divide. {The Divide is another location in Fallout.}
|
409
|
| Sad 10
|
{Slow, reverent - this is quietly dramatic, ends on a sad downnote} The Divide, where the two messengers, the two couriers, fought beneath an ancient flag, at the edge of the world. {Slow, draw this to a close. Keep this quietly dramatic. This is forecasting a horrible, tragic event to come in a future adventure.}
|
410
|
| NVDLC01GalaEventActivate
|
NVDLC01GalaEventActivate
|
Neutral 50
|
[You hear banging from the speaker, as if someone is hammering on a wall with their fists.]
|
411
|
| NVDLC01GalaEventActivate
|
Neutral 50
|
[You hear a tapping from the speaker... a series of sharp taps, then a slow, two taps.]
|
412
|
| NVDLC01GalaEventQuestNVDLC01ChristineTopic000
|
Now, now... I'll let you out when the event's over. Maybe.
|
Neutral 50
|
[The hammering stops for a second... and there's one final bang from the speaker, as if someone is smashing their fist into a wall.]
|
413
|
| NVDLC01GalaEventQuestNVDLC01ChristineTopic003
|
Christine? We're almost ready here.
|
Neutral 50
|
[A single tap comes from the speaker, then silence.]
|
414
|
| NVDLC01GodToChristineTopic01
|
NVDLC01GodToChristineTopic01
|
Neutral 50
|
[Christine narrows her eyes, gets into a combat stance.]
|
415
|
| NVDLC01GodToChristineTopic02
|
NVDLC01GodToChristineTopic02
|
Neutral 50
|
[Christine frowns.]
|
416
|
| NVDLC01WTChristineGalaBark
|
NVDLC01WTChristineGalaBark
|
Neutral 50
|
[Christine flicks her finger back and forth quickly like a switch, then nods to the north.] {<Indicates to the player that the Switching Station is to the north>}
|
417
|
| NVDLC01WTChristineRoofBark
|
NVDLC01WTChristineRoofBark
|
Neutral 50
|
[Christine frowns, looks upward, then back at you. She nods her head upwards, then makes the motion of holding a gun at the ready.] {<Indicates that it might be safer to find higher ground>}
|
418
|
| NVDLC01WTChristineSmallSpaceBark
|
NVDLC01WTChristineSmallSpaceBark
|
Fear 20
|
[Christine's eyes dart around at the walls and the ceiling. She glances at the exit, then takes a slow breath. Sweat appears on her brow.] {<When entering a small underground room Christine indicates that she doesn't like small spaces and would prefer to be above ground>}
|
419
|
| NVDLC01WTChristineTerrifiedSoundBark
|
NVDLC01WTChristineTerrifiedSoundBark
|
Neutral 50
|
[Christine's eyes dart in the direction of the screeching sound. She looks frightened and trembles slightly, as if fighting an urge to run.]
|
420
|
| PLAYERINIRONSITES
|
PLAYER IN IRON SITES
|
Neutral 50
|
[Christine frowns, points at your collar, then hers.]
|
421
|
| PLAYERLAYMINE
|
PLAYER LAY MINE
|
Neutral 50
|
[Christine points at mine, then taps her temple.]
|
422
|
| PLAYERTHROWGRENADE
|
PLAYER THROW GRENADE
|
Neutral 50
|
[Christine covers her ears.]
|
423
|
| PlayerinsultsChristine
|
Just die, tired of listening to you anyway.
|
Anger 50
|
{Cold, determined} Silence suits me fine. When your master shows, I'll deal with him, too. {< Christine talks smack back and starts the fight. "Master" is delivered with disgust.>}
|
424
|
| Playersaysgoahead
|
What do you want to say?
|
Neutral 50
|
{Takes a breath} I've been hunting the one who hijacked your Pip-Boy, Elijah, for... some time. {< voice is restored. Christine tells the player about her mission to kill Elijah. >}
|
425
|
| Neutral 50
|
{Deadly serious} He {emph} cannot leave the Sierra Madre alive. What he's done... what he's done here is nothing compared to what he's done in the past.
|
426
|
| Neutral 50
|
The only way to bring him out is if you get to the vault... he won't allow you to go down there {emph} alone. That's when we kill him.
|
427
|
Playersaystheywerehappytodoitand
ChristineshouldtakeoffTheyllhandletherest
|
Just glad you're safe. Hold up here, I'll take care of Elijah.
|
Neutral 50
|
{Studies player, thinks the player is worth it} Good luck. He's... not an easy opponent. If I can, I'll help. {Beat, thinking} Might be able to figure something out using the Sierra Madre's computer systems. {< voice is restored. Christine wishes the player good luck and walks over to the intercom to disable security. >}
|
428
|
